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O Ewie i Poczuciach

A pair of folded, heavy cotton towels rest on a low wooden bench, their edges slightly misaligned to reveal layers of softness and thickness. Next to them, a shallow ceramic bowl filled with clear water reflects the ceiling in a gently distorted way, tiny ripples catching the light. The bench stands on a matte concrete floor with visible fine aggregate, adding a cool, mineral texture. Soft overhead daylight creates a broad, even glow, with mild, velvety shadows beneath the bench. Captured from a slightly elevated angle with moderate depth of field, the image feels clean, minimal and grounded, suggesting preparation for bodywork and the care given to the physical environment.
A detailed close-up of two neutral-toned cushions pressed together on a floor-level seating area, the woven cotton covers revealing tiny fibers and natural imperfections. Between them lies a small, hand-carved wooden object with a smooth, worn surface, suggesting frequent handling. Behind, a wall painted in a muted clay shade fades softly out of focus. Diffused morning light from the left side grazes the fabrics, accentuating their texture and casting faint, overlapping shadows. Composed at eye level with a tight crop, the image feels intimate and reflective, evoking somatic awareness and subtle contact through the language of materials alone, rendered in quiet, photographic realism.

Poznaj mnie i moje podejście

Jestem Ewą Anszperger. Łączę masaż tajski, uważność MBSR, pracę z oddechem i somatykę, żeby pomagać wracać do ciała. Pracuję spokojnie, bez mistyki – w oparciu o neurobiologię stresu i doświadczenie dotyku.

Poznaj mnie
A pair of folded, heavy cotton towels rest on a low wooden bench, their edges slightly misaligned to reveal layers of softness and thickness. Next to them, a shallow ceramic bowl filled with clear water reflects the ceiling in a gently distorted way, tiny ripples catching the light. The bench stands on a matte concrete floor with visible fine aggregate, adding a cool, mineral texture. Soft overhead daylight creates a broad, even glow, with mild, velvety shadows beneath the bench. Captured from a slightly elevated angle with moderate depth of field, the image feels clean, minimal and grounded, suggesting preparation for bodywork and the care given to the physical environment.
A detailed close-up of two neutral-toned cushions pressed together on a floor-level seating area, the woven cotton covers revealing tiny fibers and natural imperfections. Between them lies a small, hand-carved wooden object with a smooth, worn surface, suggesting frequent handling. Behind, a wall painted in a muted clay shade fades softly out of focus. Diffused morning light from the left side grazes the fabrics, accentuating their texture and casting faint, overlapping shadows. Composed at eye level with a tight crop, the image feels intimate and reflective, evoking somatic awareness and subtle contact through the language of materials alone, rendered in quiet, photographic realism.
A pair of folded, heavy cotton towels rest on a low wooden bench, their edges slightly misaligned to reveal layers of softness and thickness. Next to them, a shallow ceramic bowl filled with clear water reflects the ceiling in a gently distorted way, tiny ripples catching the light. The bench stands on a matte concrete floor with visible fine aggregate, adding a cool, mineral texture. Soft overhead daylight creates a broad, even glow, with mild, velvety shadows beneath the bench. Captured from a slightly elevated angle with moderate depth of field, the image feels clean, minimal and grounded, suggesting preparation for bodywork and the care given to the physical environment.

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